Boy bands are officially back, per the 20poorandfabulous request. I see the dolls that are very NSYNC circa No Strings Attached, but all that is missing is the choreographed routines. Come on, One Direction. Don’t you wanna be cool as fuck? Doesn’t one of you want to be the Justin Timberlake? Because you’re all kind of being huge Kevins right now, and it’s a total bore. Even Justin Bieber knows he has to dance to really get the teens/ladies/old moms and gay men hot and heavy. Plus, choreography distracts from your weird lyrics and the future reality that at least four of you will end up like O-Town unless you get them moves-a-bustin’. This is not a boyband drill.
I found this artist through all my boy band/NSYNC research/obsession a week ago. His name is Brian Transeau and he is pretty much an electronic music pioneer. He created a program/plugin for Logic, Ableton etc. based on techniques he was using to produce songs like NSYNC’s “Pop” that use soundbites as percussive hits. So fucking cool.
His solo ventures are definitely steeped in futuristic electro pop. The chorus is catchy yet kind of sickening. I like the really 80s riff right before the chorus. The actual song is around 8 minutes long and is FULL of amazing electronica sounds. I’m a sucker for a dramatic melody and interesting electronic movements. Even if this song ain’t your jam, his technique and talent as a producer and music software developer is beyond noteworthy. I mean, have you even HEARD NSYNC’s “Pop“???? I listened to the song for a week in complete awe of the invention and creativity of BT’s production. Fascinating. Check out more about his music here.
Happy Friday bitches!!! Have a fun weekend spending reasonably, only because we are economically forced to.
PS: Why aren’t all the new boy bands dancing like NSYNC used to? New Kids on the Block even danced the shit out of their sets. I refuse to pay attention to One Direction or The Wanted until I see some dance moves or at least full frontal. Those are the conditions. Take it or leave it, boy band HACKS.
I’m knee deep in an all out NSYNC obsession and pop music BINGE right now. It’s weird and nostalgic and oddly refreshing to get away from super synthy heavy tunes that are plaguing all radio stations, except when Adele is on (so every 5 minutes).
But here we have an original of a song that was featured on NSYNC’s second album No Strings Attached . “Just Got Paid” was actually recorded in 1988 by a guy named Johnny Kemp. I’ve never heard of him before. Maybe I’ll begin my Johnny Kemp obsession right now, cuz this song is all sorts of funky funky jam.
I take pop music seriously. Not creepy serious to where I’m sweating while imagining that Joey Fatone (someone recently pointed out to me that his last name is literally ‘fat one’ and I died laughing) is feeding me fruit while quoting NSYNC love songs and poking me in the eye with his dangerously pointy frosted tips. I don’t have fantasies about these people.
I mean that I take pop music seriously to the point where the songs are well crafted, feel-good, emotive and filled with choreographed dance. The compilation of choreographed dance while singing amazingly solid pop music is probably the single greatest entertainment thrill of my life. So when it comes to my favorite era of pop music, I like to take a step back and examine which albums were the best of the best.
The best NSYNC album for me was No Strings Attached. I still remember dancing for hours in my room to all the fast songs on that CD (and then slow jamming to the ballads when I was feeling vulnerable). They had some awesome dance hits on there. The title track was never released as a single, but No Strings Attached is SUCH a good early 00’s dance song. Most of the dancey songs on NSA seem like they were tailored for sick dance breakdowns. They had so many punches, dramatic pauses and fast beats that it’s impossible even as a listen to stay still.
In terms of album theme construction, NSA was an album about cutting ties with their former business partner Lou Pearlman who Ponzi-schemed the shit out of their success and finances. They got into legal battles with him and his record label and eventually were freed of contracts with shady Pearlman and moved on to Jive Records (home of B. Spears at the time.) Bye Bye Bye is written about a relationship thats totally fucked up, and in the beginning of the vid the dudes are held up by puppetmaster strings until they’re cut free.
The second release from the NSA album was It’s Gonna Be Me, in which the dudes are packaged and lined up in a store, mass produced and ready to be sold, just like they were in real life! Either it’s a scathing review of modern capitalism or an amazing product placement. Probably both. Nonetheless, NSA sold 2.42 million copies in its first week. Then on to 9 million by the time 2000 ended. The last great era of record sales for sure.
The other notable thing about NSYNC and others alike from this era of pop music is that it’s more like pop performance music. If you go back and watch videos of New Kids on the Block, they are singing live, dancing, sweating and flirting with the crowd. It’s a lot to do at one time. Throw into that mix heavily choreographed routines and often times ridiculous layers of costumes plus themed songs where you need to act as well, and you my friends have got a nice, thick piece of pop performance art.
So many times I hear from people that this sort of pop music is lame or unworthy of its success because most of the time-but not all of the time– the performers don’t write their own lyrics or music. But if you look at pop performance art like actors in a theatrical performance, it starts to shine a different light on the honest talent that it takes to be a pop performance star. Music preference and personal opinion aside, it’s always good to respect talent.
I just came across this song off the European version of NSYNC’s first album called “Riddle” and it’s a TOTAL clubby european electronic. So obvious it wasn’t released in America because apparently we could handle clubby hits until this decade.
NUFF SAID. This is what I miss in pop music. Choreographed heavy dancing to amazing, Max Martin produced pop music. Ahh, to be in the 90s/pre 9/11 years. I will never forget this era of pop music. Never ever ever ever!!!
This was American pop at it’s height of perfection. Eat your heart out, Katy Perry!