My girl Jessy aka Celia Inside aka total babe pal from NYC (and my first real-life internet friend) has some new tunes on the way AND has just released a really fun cover of Drake’s “Hotline Bling” produced by Kid Jimi. Listen above to her buttery, pretty, is-this-B-on-the-radio-yet voice and read about what she’s been up to while recording her new r&b album “Overtime” coming out next year!!!
It’s soulful, cool, sometimes playful + fun, a little edgy… and lighter than my previous work in a wonderful and necessary way, haha. The music has definitely shifted more into hip-hop and R&B territory — that’s where I feel most natural. It’s still full of harmonies and left turns, though. Overall, I think it shows some very different sides of me as a person and artist. It’s hot!
Is “Overtime” a departure from your last Celia Inside release?
It is in that it’s less emotionally heavy and more beat-driven. It’s less wanna-be alt-rock music, lol. I was really married to the idea of making indie rock music on my first EP, Remodel…. That had a lot to do with my environment and the people around me back when I was living in College Town, USA. I think I was trying to appeal to a scene more than honoring my own musical inclinations. Some really cool stuff came out of that creative time and I’ll always love Remodel, but the music I’m making now is the most exciting for me yet. And I think it’s the most exciting, period! These songs are coming out so nice!
What was the inspo?
The inspiration for the music is a big mix of my life here in NYC and the people who fill it every day; working + living in different parts of the city and experiencing the different cultures, clash of cultures and gentrification all of that entails; rediscovering my love for hip-hop and also parts of myself that kind of got buried during my college+ years… a lot of stuff. Figuring out what kind of grown up I can and want to be! (A #crazysexycool one, obvi)
What has changed since your last EP “Remodel”?
Oh, what *hasn’t* changed!? Haha, almost two years ago, I decided to up & move to New York — it seemed to be where I needed to go — and my life has changed a ton. I’ve made friends, found work I can appreciate doing, moved around, fell in love with someone amazing!…. I’ve learned and experienced so much in such a short time.
All of these things affect the music and how I approach all things Celia Inside. Then, I’m more inspired, motivated, and happy than ever and can’t wait to release and share more as I move forward — this time, with a real plan, and a lot more experience + vision.
Are there any challenges to recording in NYC like noise or 5 roommates?
Omg, yes. Both of those things, actually — haha. I literally lived with five roommates for a little while! It wasn’t as ridiculous as I thought it might be, though (and it made for some fun + diverse parties). Yeah, noise is always a challenge here but I do my best with what I have and there are ways to work around it.
Are you playing any shows for this release?
That’s the goal, but I’m more focused on recording and building up my online presence right now. I’ve literally met all of my collaborators via the internet! And my next major release will be an EP that won’t be out for a little while. Lots of singles/covers here & there first.
I’m still figuring out what kind of live performance would suit me and these songs best. It’s exciting to enter this new realm of possibilities, though, and check out different kinds of equipment, which is totally new to me. I want to make sure my singing/harmonies are a strong component of my life set along with the beats to these songs.
Anything else interesting about the new tunes?
This is my C.I. era — I rap, I sing, I make beats, I produce; I’m doing a lot of things I used to just experiment with but never really gave my full focus (and confidence) to. I’m making music for myself now and the music reflects that. I’m a better producer now than ever and only getting better. In the words of Fiona Apple, “here’s coming a better version of me!…”
If you follow the Minneapolis music scene, you’ve probably seen Polaroid pics of shows and parties shot by Serene Supreme. She’s the IT girl photographer of the music scene and she’s amazing. She shot Sarah and I last weekend for our music project DENNIS. Check out the post here and take a look around her website because she has some really cool shots of a ton of talented artists.
We wanted to include the t-shirts and sweatshirts that I hand paint with glitter on my bedroom floor and sell on our website. They started out as theme shirts for our last album “Don’t Fall in Love,” but the fun just didn’t stop. We kept creating more beyond the original “YUCK” shirts and went on to make “BARF,” “WORST,” and a new one “U.F. FAUX.” Take a look at our website here and see if any fit your fly ass style.
I do not watch shows like The Voice or American Idol. I think they are lame. I’m all for entertainment and shit, capitalism is whatever, but the false hope that these shows instill in the thousands of forgettable people who are featured season after season makes me sick.
It’s true that SOME people have come out of singing competitions like American Idol with a successful singing career. Kelly Clarkson had a good run. That bald guy from American Idol is doing okay I guess. Clay Aiken was on an episode of 30 Rock once. Out of the 13 seasons of American Idol, Carrie Underwood is by far the most successful. But that’s 13 seasons and only 4 people that are only kinda-maybe culturally relevant today.
As for “The Voice”, I can’t even tell you one person who has had mainstream success. That’s because it’s a pretty transparent vehicle to launch the stagnant careers of its already famous, millionaire coaches.
Exhibit A: Gwen Stefani’s new single “Baby Don’t Lie”
As you may or may not know, Gwen Stefani is a coach on the current season of “The Voice.” Which is weird, right? Because she hasn’t been relevant in the music industry since her solo albums in the mid 2000s. Sure, No Doubt tried to come back in 2012 with their album “Push and Shove” but it didn’t really land anywhere mainstream.
But wait! Today (October 27) she just released a new solo single called “Baby Don’t Lie,” while she is currently serving as a coach on “The Voice.” What a coincidence. Where does she find the time?! I mean, when’s a better time to try and restart your music career than when you’ve been hired to “coach” a “singing competition” on network television?
Exhibit B: Rotating judges on “The Voice” and subsequent releases
Christina Aguilera? Dead career. Usher? Pretty sure dead career, but maybe I’m just not aware of his phantom hits somewhere. Cee Lo Green? “Fuck You” was cool 4 years ago. Shakira? Released a song with Rihanna called “Can’t Remember to Forget You” in between her season 4 and season 6 coaching duties.
Don’t even get me started on Maroon 5. (PLZ for the love of god stop howling at the moon on the radio) I don’t even know what a Blake Shelton is so I won’t go there.
In addition to using the show to promote their own music careers, the fact that the coaches actually perform on “The Voice” chaps me to the core of my chapable human parts. It’s not about you, famous people. JESUS.
Take this video, for example, of Gwen Stefani performing her biggest solo hit ever “Hollaback Girl” on “The Voice.” I love Gwen Stefani, really. But she is not a singer that I would regard as being able to give anyone a whole lot of singing tips. Especially when the song she chooses to perform on the singing competition show is one where she is talk-singing over backing vocals. Which is totally fine, I ain’t no vocal performance snob. But it’s a singing competition show. The point of it is singing well, not getting by with what ya got. That’s called real life.
Exhibit C: The music industry has been wearing sweatpants in its mom’s basement for over a decade
Look, we all know the music industry struggles everyday to make money. Small artists definitely struggle, and big artists struggle to make millions off of their music, not including the 7 perfumes they launched this year and a fucking clothing line at Kmart.
Blame it on Napster, blame it on people not respecting time-based art, blame it on the rain. Probably blame it on MTV somehow too.
Let’s not be idealistic idiots. Money is fun. These coaching gigs pay a fuckton of money, so I understand why someone would want to be a coach on a huge show like “The Voice.” They not only get a sick paycheck but they also get to promote their brand. Neat. But taking advantage of these idiot nobody singers (I say with love!) trying to make it big in a show that will never make them big is fucking rude.
Let’s get real: most of these nobody singers are not going to have a singing career after their stints on “The Voice.” They are used as props to fuel viewer engagement and promote the artists telling them they’re “great” and they “love what ur doing” and “ur gonna b a star.” As sickly entertaining as it is to watch people’s dreams get crushed on shows like these, can’t we find another way to promote music on primetime TV that doesn’t involve monetizing false hope in the hearts of starving singers?
I first heard of Vacation Dad through a friend named Elliot (who plays in killer MPLS band Dial-Up). I was immediately blown away by the imagery of the name Vacation Dad: the zinc nose sunblock, the sunglasses with the string hanging around his neck, the Hawaiian shirts that smell vaguely of old cologne and corn dogs. I have probably thought about the name “Vacation Dad” 2 or 3 times a year for the past 3 years, yet I’ve never managed to get on top of my local show shit together enough to make a performance of this elusive name genius. 2014 goals: get a real job, clean the basement, see Vacation Dad live. Until then, feast on the Vacation Dad interview that had me fangirling.
1. Your name is so brilliant. How did you come up with Vacation Dad?
mmmmm its kinda hard to pin down. i first heard the term when my friend pat told me to stop being such a vacation dad. i think i had told him to put on some sunscreen. but the project started when i was laid off and just hanging out in my bathrobe and recording when i wasn’t on tour. so i kind of became this ridiculous, slightly embarrassing but mostly fun party animal. vacation dad seemed to fit pretty good.
2. If your music could be described as an animal, which animal would it be and why?
it’d be probably be some kind of psychedelic snake that flies. can’t say why, thats just what came to mind.
3. What projects are you working on right now?
well, i run MJ MJ Records and am a main organizer of FMLY FEST MPLS so right now i don’t have much time for VD. but i swear to god i’m going to finish something soon as i can (its been like a year and a half since i released anything). i’m working on a concept album called “AFTERLIFE”. it’s a funky odyssey of sorts – a psychedelic journey that takes you from your death through the afterlife and eventually into the heavenly bliss of absolute nothingness. its also going to be a fully interactive video game.
4. Who would you rather have play “Dad” in the family comedy feature film “Vacation Dad”: John Candy or Dan Aykroyd?
dan akroyd for sure. honestly i never thought john candy was all that funny, he just tends to be in funny movies. like a better version of david spade.
5. How does a song come to you?
usually starts with a beat, then a groove, then the hook. i dont fuck with words.
6. What is one international city you’re dying to play a live show in?
i’d really like to go back to nicosia, cyprus. i played there a couple years ago and it was just the best fucking thing. kinda want to tour hawaii too. or anything tropical, i’m not picky.
7. What’s next for Vacation Dad?
i’ve got a show coming up at 7th street with hundred waters, fort wilson riot and har-di-har (which is a fucking insane-o bill) otherwise just trying to get FMLY Fest together, then hunkering down to finish AFTERLIFE. probs not gonna go on tour again till i finish it.
I first met Alex Kauffman through a friend I studied abroad with in Brazil back in 2008. That friend referred to him as “kauffy” if I remember correctly. It was 2009 and we walked into the certifiably dude apartment. I imagine it was full of furniture probably salvaged from street corners that was peppered with bowls of dried mystery food sitting abandoned in forgotten corners of the Como apartment. Maybe I’m making all that up, but dudes are dudes so it’s probably true. Anyways, I’m pretty sure there was a guitar in his hands, or at least guitar hero. Either way, he is here now with a handful of albums under his belt with his group Dichotomy. They just released their second full-length album Subterranean (that you can pick up here). Check out what 1/3 of the group Alex “Kauffy” Kauffman has to say about the songwriting process, Valleyfair and Mars.
1. How did Dichotomy get started?
Joe Laurin and I were roommates in Dinkytown a few years ago. I had a guitar and a violin, he had a keyboard. We just messed around for fun, but we did it every day to the point where we started to learn how to use blues scales and improvise. We eventually learned how to produce our own multi-track recordings, and then eventually got confident enough in them that we made them public and released them online. We started to figure out how to book shows for ourselves, and we’ve been a live act ever since. We joined up with Nick Shvetzoff about a year ago, he was the perfect compliment to what we already had going on. Joe and I were always able to play together really well, but we always had to plan out the backing track beforehand and that was a bit stifling. Nick can control and improvise percussion and other sounds along with Joe and I, so every piece of the band is interactive with one another live. It’s exciting to have reached that point.
2. What is your songwriting process like?
It can be different each time, and we are always coming across new starting points. It used to be a lot of recording a part, sitting back and listening to it, and then going back in and adding another part and then repeat. But a lot of it comes out of our jams too. We jam to get ideas and riffs out, and then we can hone in and build an actual track around the good bits. After the “meat” of a track is recorded/sequenced, we’ll usually just listen to it for a good week or two to see if there is anything screaming at us that is supposed to happen, or not. We are really quick putting out new ideas to start something but are pretty slow and deliberate when it comes to actually finishing the track and finalizing it.
3. If you could go to Valleyfair with any musician, dead or alive, who would it be and why?
Jimi Hendrix. It would be fun to see what he’s like riding a roller coaster.
4. You just released your second full length album “Subterranean”. How has your sound mutated since the “Blue Flame EP”?
It’s changed a lot but it’s also kind of come back around again. With the early EPs, we had more of a harsh, urgent sound. Occasional vocals. It was more guitar driven at the beginning. Heavy beats. Then we started adding a lot more violin and piano, and it started becoming much more like modern classical music. Longer pieces with key changes and lots of parts and sections. Still dark most of the time, but slower and more drawn out. That was where we were at when we recorded “Nocturnal”. Since we’ve been playing with Nick and adding more synth and electric violin, it has shifted back more towards an urgent and heavy “live” sound. Sometimes it’s simple, sometimes more complicated, but there is an energy to the rhythm. There is much more of a live feel to it now than there was before.
5. I know it’s hard to choose between one of your latest sonic babies, but what’s your favorite song from “Subterranean” and why?
That’s tough…I’d have to say Tony Montana is my favorite as of right now. It has a good balance of catchy and weird. It’s has a nice melody to it, but at the same time you are never quite sure when the the loud and harsh sounds are going to lash out at you next.
6. What does the future hold for Dichotomy?
We want to try to play live as much as we can. In the cities or elsewhere, whatever we can get going. We’d like to make at least a couple more videos for the “Subterranean” album. As far as new music, we always have new stuff cooking, but we’re going to be doing more singles and EPs for the time being. We’ve spent a lot of the last couple years working on full albums so we are ready to change it up.
7. Would you rather compose a song alone on Mars or with a glass of whiskey with Frank Sinatra?
Alone on Mars all the way. I’m more into spacey shit these days. I like making music in solitude AND with a view, so that pretty well covers both. I would have loved to jam with Sinatra, but he notoriously hated loud rock music, so he probably wouldn’t want to get down with us, since we are more or less an extension of that. Maybe not though. Just an educated guess.
If you’re tryinna get yo’ friction on, then you need to pay attention to False Teeth, a self-described hip hop/electric indie rock duo slash total QTs from Minneapolis. The duo is a pair of names you may have seen before at shows around town or somewhere on the Inter Web: Bobby Phisher of Bobby Phisher and Matt Sandstedt from I, Colossus and Jon Jones. Their debut album, Grapefruit, is coming out May 20th via Polkadot Mayhem. This is what they have to say about butts, Pokemon-inspired songs and one little know legend of Ja Rule.
1. How did you all meet and decide to form a band called False Teeth?
we bonded over a similar appreciation for riddick movies and cinnibon flavored pinnacle vodka.
2. Describe the sound of your new False Teeth album using 3 emojis.
shrimp, top hat, pizza (Editor’s note: 🍤🎩🍕)
3. What is band practice like?
A lot of butt jokes and pointing. Also coffee. Because of everyones weird schedule we usually practice in the mornings on friday. Pre-gaming beforehand.
4. You’re releasing an album called “Grapefruit” soon. What’s the weirdest song on your album?
“Red Barrels Explode” forsure. The hook is in 7/4 time and theres a lot of pokemon involved. We wanted to make a song about tweaking out on video games and in that fashion we had to make it really weird.
5. If you had to pick one artist to collab with from NOW THATS WHAT I CALL MUSIC 10, who would it be and why?
Ja Rule. Anyone that has beef with fiddy cent is a friend of ours. Ja rule is a rare breed of person who has done nothing but try to better the lives of people around him. Whether it be through his music his acting or hamster-esq smile Ja is for the people. He really revolutionized the way we think about all white furniture in music videos as well. Taking a step back though we see thats just the tip of the ice-berg. In 2003 he donated 1.3 Billion dollars to Doritos in hopes they would continue the # dimensional line of snacks, unfortunately they declined his request and left him bankrupt. With no where to turn, young Ja was faced with a choice, turn back the only snack that had ever truly trusted or pick up the mic and try again. So a year later in 2004 against all odds Ja Rule got back on the reins and released Sprite Remix soft drink to much critical acclaim. To this day Ja Rule has sold more soft drinks then any other musical artist known to man.
6. If you could have one celebrity star in a music video for a song off of “Grapefruit”, who would it be and why?
Rick Moranis. He is the key master. False Teeth is the Gate Keeper.
7. What is your wildest dream for False Teeth?
Guns and Ammo Magazine Front Cover. Also, this is not exclusive to False Teeth but it is our dream to live in a world where avocados never go bad.
New fashion: DENNIS “Don’t Fall in Love” crop tops and t-shirts for summer
You may or may not know this, but I am an electronic pop artist that goes by the name DENNIS. My girl Sarah and I are releasing a full-length electro-pop album this summer out of Minneapolis that is srsly gonna murder you (in a good way) when you’re hate-singing about your ex in the car. It’s called “Don’t Fall in Love” and is a collection of bangerz produced by me and written by me and Sarah that are all huge electronic pop jams about how much love/lust/life can SUCK.
Along with the album, I have designed a concept line of crop tops and t-shirts that go along with the essence of “Don’t Fall in Love”. You can wear a crop that says “YUCK” or “NO“, “UGH” or “DENNIS“. They are hilarious, hand painted by us and glittery as fuck. If you’re a glass half-empty type of person, you’re gonna love this shit. They are only $10, and all the proceeds go to funding the album release.
PLUS, you get a free download of our first electronic pop EP “Ice Cold”. Or you can just download all of our weird pop music for free here. But for real, you’re gonna look so hot in this shit that your shitty ex will probably die or at least tell you that you were right all along and are super hottt.
Plus, a drunk guy once told me that if you support independent music, an angel will bless you with millions of kisses and good luck for like 20 whole minutes. I wouldn’t pass that kind of a deal up bc you never know when you’ll need some KOOL karma.
Isobel Trigger is a synth pop band from Victoria, British Columbia. Recently freaking out over their first radio airplay on a station up north, they have secured a bunch of festival gigs this summer and are well on their way to taking over that friendly country above the good ol’ U.S. of A. Check out what they have to say about doughnut holes, Craigslist, and Hot Hot Heat.
1. How did you guys start as a band?
Felicia: Brett (our guitarist) and I met in music school and we met Ariel and Kyle through online dating for bands (aka craigstlist)!
Ariel: Yeah, I remember walking into some weird warehouse that was their jam space for my audition, in a really industrial area of town. It was totally sketchy but obviously worth it in the end!
2. What’s your favorite snack during band practice?
Ariel: Tim bits (that’s doughnut holes for you Americans out there) and/or sushi!
Felicia: It’s not uncommon for one of us to be late and call to take dinner orders from the others. I like sushi because it’s light and easy to sing after eating… and… well… who doesn’t like doughnuts?
3. Tell me about your upcoming EP Nocturnal. Exactly how cosmically awesome will it be?
Felicia: Well, we are aiming for astronomically awesome, as in shooting for the moon, literally (you’ll have to watch our video for Tiger Shark to get that joke). We plan on releasing a video for each song and you can expect lots of gritty synth, creative dance beats and unique vocals on top of our usual dirty guitar and funky bass.
Ariel: We are very excited to birth our EP baby into the world.
4. I don’t know anything about Victoria, BC. What’s the music scene like there?
Felicia: Victoria is the beautiful capitol city of BC! Actually it’s great here and the music scene is booming! We have so many music festivals it’s hard to keep track! Rifflandia, Tall Tree Festival, Rock The Shores and many more.
Ariel: It’s really amazing because the city is big enough that there are so many festivals and great events and no shortage of talent, but small enough that the music scene is really a community.
5. What has been the coolest moment of your music career so far?
Felicia: So far this year (young as it may be) has been our busiest and we’re thrilled with the momentum we’re gaining. If I had to pinpoint it to a moment, I’d have to say hearing our songs on a major radio station (The Zone 91.3) has got to be the highlight. The coolest DAY was when we found out that we were Zone Band of the Month, playing Tall Tree and the Royal Theater, all on the same day.
Ariel: On that day I cried and had to be put in an isolation chamber. Then I was ready to rock.
Felicia: *Some facts may be exaggerated #dramaqueen
6. Hot Hot Heat or The New Pornographers and why?
Ariel: Hot Hot Heat duh because they’re from Victoria!
Felicia: Hot Hot Heat! Because they’re also from Victoria and they really know how to bring it live. Not that The New Pornographers don’t, but we’ve got a soft spot for the Heat’s quirk-rock ways and Steve Bays with his awesome fro and big energy.
7. Which pop star has had the most influence over your sound?
Felicia: Currently I would have to say our “band favorite band” is Metric. We just think they’re the coolest and even though we all have different musical influences, when it comes to picking an album to listen to on road trips together, Metric gets the winning vote.
Ariel: Does Metric count as a “pop star” though? I’m going to have to go ahead and say Justin Timberlake for this one, since I think that N*Sync are the bomb, and I think that we are really in sync with each other.
Felicia: *facepalm … but JT is my hero, can’t lie.
Oh Gaga. I don’t know if it’s just me or if it’s a growing trend by former Little Monsters, but I have been fully uninspired by everything she’s put out related to ARTPOP. Let’s examine why the fuck she’s falling out of weird pop star grace, starting with her latest album release.
ARTPOP is a disaster
There are a handful of great songs on the album like “Aura”, “G.U.Y.”, “Venus” and “Applause”. But there are some REAL terrible things on this album, like “Jewels and Drugs” and “MANiCURE”, which both haunt the shit out of me. Sometimes I’ll just wake up with a riff from “MANiCURE” in my head and I am instantly annoyed. That song is a goddamn leper in her catalog, but she apparently loves it because she just put a part of it in her “short film” of a music video for “G.U.Y.” UGH.
The G.U.Y. ARTPOP Film
I can’t even deal with this. It was boring! The most frustrating part is that I don’t even know why exactly. Maybe it’s because half the themes are very apparent (fallen angel, industry folks who luv money) and half the themes are WTF but not in a fun way (housewives, Andy Cohen). The fact that she is calling this a film is absurd. I hate to be the kind of fan or person that’s like “why can’t you just release a music video?” but for real girl. Has she never considered that doing something insanely simple would actually be shocking for her brand instead of constantly releasing awkward try-hard grandiosity?
Beyonce’s surprise album and music videos are what Lady Gaga’s ARTPOP should have been if she was actually on the cutting edge of the commercial music scene. ARTPOP was supposed to be a next level game-changer in pop music because that’s what she told us it was going to be. ARTPOP then had a lackluster release, AND on top of that, Beyonce released one of the most exciting pop events of all time a month after AP was supposed to blow our minds. Yikes. Ouch. One more example of LG talking herself up and not being able to deliver. And then this ARTPOP “film” release? Girl, if you’re gonna release something and call it a film, plz make sure it’s actually a film and not just a bunch of pretty ideas that you puked onto a dream board and call cinema.
More than ANYTHING, it just really pisses me off watching rich musicians bitch about the music industry. POOR YOU WITH ALL YOUR MONEY AND NOTORIETY AND FAME. I’m an independent artist and it’s a struggle, but it’s even more infuriating watching big time stars complain about all the people who work for them. I don’t fucking care one bit about the specific woes of famous rich people because life and art are hard for everyone, but not everyone has the world stage and power that they do. While every other artist and person mostly has to worry about paying rent or putting food on the table, Lady Gaga is complaining to the world that her record label wanted her to put out better music and how dare they question her genius. EYE. ROLL.
Lady Gaga’s music isn’t that great
Her visuals are always fantastic, but she straight up doesn’t make interesting music. I’m not saying it’s bad because I really like some of her shit. It is standard in the culture of pop music albums to have a few songs that are killer as fuck, and then the rest of the album is full of B-sides. But the fact that she talks herself up so much, talked ARTPOP up to be this fucking grandiose marriage of ART + POP only sets herself up for more criticism because she can never deliver.
Every time I feel let down by what Lady Gaga claims to be and what she actually is, I think to myself (and out loud nearly every Saturday morning to my roommate) what is she such a great artist at? Really? Sure, she dresses in weird outfits and is a really, really great live performer. But if you just take the recorded albums which she claims is her main raison d’être, they are fucking infuriating. Here’s why:
Gaga’s music isn’t that weird or interesting. If you’re gonna sit there in a fucking teflon-inspired mock duck hammock skirt and tell us for like 5 years that you’re the weirdest and best bitch on the block, then fucking deliver. “MANiCURE” is one of the worst songs I’ve heard in my entire life. The second half of The Fame is terrible. Her country-inspired songs, her weird foray into show tune-esque songs like “Hair” and her embarrassing attempts to mix rock and EDM like “Electric Chapel” on Born This Way are all amazing examples of the grandiose mediocrity I’ve begun to associate with her.
All of Gaga’s albums have a few good pop songs, but so does every other pop album that has ever been released throughout the history of man. It’s no secret that huge pop genre releases have historically spent most of their money on the couple of big hit singles, leaving the rest of the album to sound like the producer had only 20 minutes in between jerking off and eating a boring sandwich to compose a track (for reference, any of Britney’s first few albums, Backstreet Boys, Xtina, Shakira, Rihanna, One Direction, etc). Gaga’s “other” songs aren’t that bad, but they’re not as great as she would have us believe.
Quotes like this about her latest album: “To make ARTPOP there must be an exchange between two auras: one from the sphere of ART, and the other from the sphere of POP.” Bitch what are you even talking about. This isn’t even a question of her being on another intellectual level and the masses having a hard time understanding. This shit just doesn’t make sense. Like, thanks for the definition of a compound word. America really needed that explanation.
Her obsession with the fashion and performance art world
You know what, it’s great that she likes fashion and performance art so much, honestly. But when she spends so much time in those worlds, she neglects her “first passion”–music. It’s like, that’s nice honey. You go scream in a forest. You do you. And then come back and be our Mother Monster plz.
It’s really neat that she’s modeling in a campaign for Versace, and that she hung out with Marina Abromivic and learned some performance art shit. But what she doesn’t realize is that all of that other malarky is negatively affecting her music career because she’s not spending the time on it that she used to (The Fame Monster was brilliant. Where that brilliance at?). And also, don’t continually ask or expect your music fans to be super engaged with all of your mediums. Please please please express yourself in any way you see fit, but pop music fans are pretty much just lookin’ for some feel good dance hits to get drunk to from people who describe themselves as pop stars. I’m not saying that no pop star can change the game, but there have to be less seemingly desperate ways to do so.
Katy Perry vs. Lady Gaga
It was a really sad day when I finally had to admit to myself that Katy Perry is a far superior pop star to Lady Gaga. LG was quoted at SXSW saying that:
“I don’t know what the f–k-all I have to do with Katy Perry. Our music is so completely different. I couldn’t be more different, really. I really don’t fit in pop music in a way, but I came through it and I’d like to think I changed it in some way so you can feel like you don’t have to fit into a mold.”
Lady Gaga’s music is different from Katy Perry’s in that on the whole, KP makes really solid pop music and Lady Gaga makes slightly less good pop music. I don’t even want to like Katy Perry, but shit, you can’t knock her pop songs because she works with solid producers and songwriters. Lady Gaga may be way more involved in the production and songwriting process, which is definitely respectable, but does she really make better pop music because of it? LG comes off as a bratty shit head most of the time who complains that people don’t get her art or that she alone is held to ridiculous standards in the world of pop music.
“I’m sorry I didn’t sell a million records the first week. I have before…..When it comes to me, everyone forgets where the music industry is now. You come see me and it’s like you’re time-warped to the 70s.”
There are so many things annoying about this, but above all it’s the fact that she’s blaming the state of the music industry on her shitty album not selling. Lame. Taylor Swift, Adele, Katy Perry, and alllll of her other contemporaries have fine album sales. And does anyone really still hold artists to album sales standards from the turn of the millennium? I know I don’t. I don’t even care. I just want a good album.
ARTPOP part deux (plz god no!)
What is EVEN MORE frustrating than everything I’ve posted above is that the ARTPOP era is not over. She’s planning a second act to ARTPOP that might actually be good because lucky for her, expectations are already low.
All in all: yes it may be hard to live up to pop perfection standards in the music industry, but nobody is forcing you, Lady Gaga, huge millionaire and world star, to stay in that industry. Nobody is forcing you to be a shit head in interviews and talk up your art like it’s a direct line to God. Do what you want with your body, girl, but PLZ if you continue to want to be a “pop star”, put out a cohesive album that can live up to the ridiculous standards you’ve put on yourself as being some kind of ethereal high priestess of ART and POP. Us lil monsters just wanna dance to some cool tunes from you, and maybe see some cool outfits and fun videos in the process. But if you can’t handle the simplicity of that, then I don’t know where our future together lies. Breakups are tough, but time heals all.