My first introduction into the world of KILLSTREAK was at a secret santa party in December 2012. Our mutual friend Kait (hey gurl) had given me “Tony-he’s 19 and a rapper in a group called Killstreak.” Gifts were exchanged at the party, facebook friendships were forged, and new music was introduced, as KILLSTREAK had just released a song with local slam poet/hip hop artist Guante titled “Collateral Damage.”
I was really impressed with Tony’s lyrical content and youthful yet old soul passion and intelligence that bleeds from his music. Granted I was only 5 years older than him at the time, but still-it’s rare to meet a 19 year old (or any teen/20 something for that matter) with any kind of direction and certainty in their life, let alone confidence and drive for their art. It’s a powerful and unassuming vibe for real, and that’s what makes their music and performances so philosophically ballin’.
Tony and his KILLSTREAK partner/producer/pal, ICETEP, released their first full-length album this summer titled “Janus.” (You can read a solid review about it here and buy it here). They are definitely gonna be two guys to keep an eye on in the music scene over the next few years, together and independently. Check out what this Minneapolis hip-hop wunderkind duo has to say about the origin of their fantastic name, Yeezus, sex in college and Carly Rae Jepsen.
1. How long have you, Tony the Scribe and ICETEP, been making music individually? When did you realize you vibed musically, thus birthing Killstreak?
T: I’ve been rapping for about 6 or 7 years, although I’ve been making music my whole life. ICETEP started out playing the piano at age 5 and has been making beats for about 3 years. We first realized we meshed musically about 2 years ago when we were reintroduced by a mutual friend. At first we didn’t really like each other’s shit, but we grew together and gained a mutual respect. 2 years later, we have an album out and are best friends. It’s funny how things work out.
2. Killstreak is a rad name. I picture a quaint streak of blood on the floor after a methodical Dexter-like kill or something. What was the inspiration behind naming yourselves Killstreak? And what is a Janus?
I: For a long time we couldn’t decide on a group name, one day we were chatting and one of us suggested “KILLSTREAK” as a joke, because we both mutually decided that it was a dumb name for a rap group. Flash forward a couple of days and we both sort of independently decided it was the perfect name. It’s less like a streak of “quaint” blood and more of like that blood straight out of “The Shining” just a massive tidal wave. (T: It’s also a play on the nerdiness of our personalities, because it’s a video gaming term. We thought it fit us well to have something nerdy and intimidating) A “Janus” is the Roman god of Duality, Entryways, Beginnings and Entryways. It was a fitting name for the album though, because it represents a time in our lives where we both were changing from one artistic space to another, as well as representing the overt duality we intended for the general theme of the artistic content of the album.
3. There’s a lot of passion and thought in your lyrics, which is hella cool. What topic gets you fired up the most, to the point where you have to run home from a party/bar mitzvah/the middle of class and start writing immediately?
T: Disillusionment with society. Also, watching how people act when they want to have sex with other people, because a lot of people act really different when they really want to have sex with someone. And just interpersonal interaction in general– that kinda stuff is mad interesting to me; I’m a sociology major and a huge extrovert so I’m continually fascinated by how people interact in group settings.
4.You played a show in my bedroom last month. Do you plan on playing anymore bedroom shows, basement shows or house shows this summer (besides, you know, the shows you play in actual venues)? What are your thoughts on house shows vs venue shows?
I: Yo fam I love bedroom shows, I wish we could play more, but usually people have really small bedrooms, and I’m not about me and Tony being the third and fourth wheel of a good time. This summer we unfortunately do not have any underground shows on the horizon, but we do have a couple of legit shows that are still being organized. That being said, from the house parties I’ve played, in my experience I’d rather just play in an actual venue, because people go to shows at venues with the explicit purpose of (usually) seeing an artist or a band. It’s not like I don’t like hanging out with drunk people, but I feel venues have determined drunk people. We’ll probably end up playing lots of underground shows in the spring just because T has a house in nor cal, and I am about that life.
5. Main musical influences on your music and art, GO!
T: Kanye West, Doomtree, Linkin Park, Rustie, Flying Lotus, and giant robot anime. Bam.
6: If you could collaborate with any artist outside of the hip-hop genre, dead or alive, who would it be and why?
I: I’d really love to do a whole album with Kanye West actually, I know a lot of people are divided over Yeezus, but I still really fucks with him both as a rapper and as a producer. I guess I’m more interested in just hanging out with him in the studio than anything, like seeing what his process is like and what not. If Kanye wasn’t available though, prolly Flocka. Dude goes IN when he’s in the studio. BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW BOW BRRRRRRIIIIICCCCKKKKKKK SQQQUUUUUAAAADDDDDDDDDDD. (video context: http://www.youtube.com/watch?v=OvJDiZwGGd4)
7: Who’s your favorite guilty pleasure artist and/or what’s an embarrassing song you LOVE?
T: I love Party in The USA. And Call Me Maybe. Anybody who doesn’t like Carly Rae Jepsen can eat a bag of dicks. Straight up.
Lady Gaga’s “ARTPOP” 11.11.13
Katy Perry’s “Prism” 10-22-13
There seems to be a special alignment of the planets (or corporate music industry strategy. whatevz) when a huge pop star releases an album. Madonna vs. Cindi Lauper, Britney vs. Christina, and now Gaga vs. Katy Perry. What would be the fun in releasing a major diva studio pop album without some healthy competition?! GOD THIS FALL IS GOING TO BE AWESOME.
Lady Gaga and Katy Perry rose to fame together, both have two albums under their sparkly belts and are slated to release their third albums this fall, respectively titled “ARTPOP” and “Prism”. I have no idea which one I’m more excited for. Dare I say I’m excited for both? Pop blasphemy! Pop music tyrant! To the VMA stakes!
I’m excited for Gaga’s “ARTPOP” because:
- I like all of the aesthetics so far. Her first single titled “Applause” has a fresh look to it. I’m digging the white a lot. It’s a whole lot better than her “Born This Way” album art, that’s for sure.
- Gaga lives for art. She puts a lot of effort into her artistic process. “ARTPOP” is said to be a journey through collaborations with famous artists like Inez & Vinoohd (worked with Björk in the music biz and a lot of fashion photography), Robert Wilson, Marina Abramovic (famous performance artist and recently in Jay Z’s latest video release) and Jeff Koons.
- Girlfriend ain’t afraid to get a little weird, which is always makes for an interesting time.
I’m excited for Katy Perry’s “Prism” because:
- She is a quintessential pop star. I get the vibe that Katy Perry will (and does) do everything she is directed to do by her label. I like her music a lot, but it is very cut and dried classic pop music. It will be like 200 feet in front of new trends, but won’t stand anywhere near what would be called innovative. She is here for one purpose: Sexy. Hot. Pop. Star. And we love her for that.
- You know she’s gonna have the best pop song of fall on her new album. She works with the best pop music producers in the business (Max Martin, Dr. Luke) and the best pop music songwriters (Sia, Bonnie McKee). She gets the best of the best of the BEST to help produce and write her music.
- Her fashion sense is good, even though it’s completely fucking commercial “I’m a sexy lady! Gee whiz! Boobs! Firework!”
“Born This Way” and “Teenage Dream” were both great sophomore releases but totally pandered directly to “troubled” and “bullied” teens and less towards an artistic, grown up sound. I think both of their upcoming albums will show long overdue maturity, however Gaga probably has more freedom to grow up in the limelight than Katy Perry. Katy Perry is the pop music, number 1 hit maker slave, and Gaga is the weirdo artist but still has to appeal to a wide audience. Life is hard in Pop World, y’all.
All things considered, I think Gaga’s album will be way more interesting and creative than Katy Perry’s. It’s like if Madonna from 30 years ago (holy fucking shit it has been THAT long) split in half, birthing two opposing pop star molds: with Gaga you get the edge, the art, and the cravings for controversy. With Katy you get the “I’m the Queen of Pop now” who releases really great but kind of predictable #1 hits that are about as stimulating as a cold Diet Coke with a really great sandwich. Sure, everyone loves Diet Coke and good sandwiches, but it’s no orange San Pellegrino with a side of classical piano training and a penchant for performance art. Only time (internet leaks) will tell which album will prevail. BRING. IT. ON.
1. What’s the music scene like in Toronto? Is everyone in a band? Are people really nice there? How’s the dating?
Yes just about everybody is in not just one but often a few bands. It’s pretty saturated with artists here in Toronto. The key is to find some likeminded people and show support for them. That’s kind of the law in the Toronto music scene. To be honest I’m not crazy about the local music here but there are some decent bands. Just nothing that really does it for me the way my favorite bands do.The people in Toronto are pretty nice as a rule. We have a reputation for politeness but truthfully we’re not the warmest bunch. We can be a little standoffish. At shows not a lot of people dance. It’s improving slightly though.I’m the only single guy in the band right now but I am not much of a dater. I do chat up girls here and there but I usually get too drunk to get anywhere. I mostly just stare and grab the occasional bum. I am taking a stab at online dating but I couldn’t really say as I have been mostly dating myself for the last 2 years.
2. How was the Autumn Stones formed? Where did the name come from?
I founded The Autumn Stones in 2009 from the ashes of my old band The Assistants. I pinched the drummer and then met the original bass player later on. The original idea was for us to not really be a band but just do 1 album and to try to avoid all of the typical band hassles. It was really meant to just be a recording project. But after the first record I started writing better songs and wanted to keep it going and see where things could go. Our lineup is completely different now and we’ve started to embrace playing live a bit more. We’re anxious to get back in the studio though. That’s my favorite part of being in a band. I think it is the true measure of how good a band is. At least it has always been what’s most important to me. I used to have vinyl copies of The Stone Roses first record and Guided by Voices Bee Thousand on my bedroom wall to remind myself what it’s all about.
The name of the band comes from a song by The Small Faces called Autumn Stone. It’s a nice little tune. I’m not a huge fan of theirs but have always liked that song and thought it would make a great band name since I was 19. I tried getting a few of my older bands to take that name but it always got turned down by other members. So, instead I stared my own band called The Autumn Stones and then found members to be in it. That’s the way to get your ideal band name. I’m not sure what it means to be honest. I know that Stone Henge has a winter and summer stone and that it was likely used as a primitive calendar by ancient people. I suspect that The Small Faces may have got the idea from Stone Henge but I’m not sure. For me the name evokes something melancholic or nostalgiac in me. Also it implies something that lasts a really long time but not forever.
3. Who are your favorite artists and which artists influence your work most?
My favorite artists are The Magnetic Fields, Galaxie 500, Guided by Voices, Echo and the Bunnymen, The Smiths and The Stone Roses. I’d say all of those bands have had a big influence on the writing given that I write all of the songs. I’m influenced a lot by what I read as well. A great deal of my lyrics deal with religion and many of my favorite writers such as Christopher Hitchens and Sam Harris have inspired much of my lyrics. We have a new unrecorded song called End of Faith which gets it’s title from the book The End of Faith by Sam Harris. The lyrics to that song are kind of a response to the line in Lennon’s Imagine where he says to “imagine no religion.”
4. When I was 12, my family and I went on a road trip to (drum roll) Thunder Bay. We ate at a restaurant, overtipped the waitress, went to a mall where I bought a purple, glittery butterfly candle and left. (Purple glittery butterfly candles are totally Canadian, right?) We know how to party. But you live in Toronto. Describe Toronto in 12 words.
Good story. Never heard of those candles though. Toronto in exactly 12 words:Scorching heat. Bitter cold. Giant penis-shaped tower. Hockey crazed. Big Smoke. Home.In two words: Canada’s cock.
5. Tell me about your new album “The Escapists”. Does it relate back to your first release “Companions of the Flame” or does it move in a totally different direction? What was the inspiration behind the title “The Escapists”?
The title “Escapists” is culled from the lyrics of one of our songs called Ooh La La. The line goes; “Hey girls, let’s unwind entwined. Lace and pretty face, escapists.” I think it works as an album title because a lot of my lyrics deal with things that could be construed as forms of escape or evasiveness. I suppose this has come up in a lot of the stuff I write. Human beings are dreaming animals. So much of what we do is related to our imaginations. We listen to music watch tv, movies, read, observe. We seem to spend most of our time imagining, dreaming or planning more so than doing things. I use the term escapists ironically because I think it is so much a part of being human that it isn’t really escape. It’s the thing that humans do best. We imagine and plan our environment better than any other species. So, “Escapists” is everyone although ironically it isn’t really escape since these things are just what we do.“Escapists” is a little different from “Companions of the Flame”. “Companions” had more optimistic love songs because I was in a more optimistic place in my life whereas “Escapists” is a bit lonelier, darker and a little heavier too. The songs deal with religion, sex, death, alcoholism. It’s juicier. I am really looking forward to getting into the studio to record these songs as we have spent a long time working on the arrangements and have higher expectations this time.
6. You were asked by NOW Magazine to cover Feist’s “One Evening” for their (really awesome) 50:50 video series (Check it out here, it’s really cool project where new local Toronto bands cover songs from the 50 best albums to come out of Toronto). Even though the covers aren’t completely finished yet, which one has been your favorite so far?
I’m going to be a jerk and say us. I just thought that her song was probably the best on the list and I think we did a decent enough job of it. Also, I’m not a big fan of many of the records on that list and haven’t heard many of the covers. Sorry Now. I guess I’m kind of a music snob that way. Although I should give an honorable mention to our friends The Whirly Birds who did Blue Rodeo’s Rose Colored glasses. I do have a bit of a soft spot for Blue Rodeo and Pete Carmichael did a great job singing that. He has a really rich and distinct voice.
7. If you were held captive by a bunch of pre-teen bandits and forced to give the Autumn Stones spin on one Justin Bieber song, which song would it be?
I honestly can’t name a Justin Bieber song but I can do you one better. I would proceed to sing a song I wrote on Halloween a few years ago when my brother who is 6 2″ dressed as Justin Bieber for Halloween. It’s called “Me and the Beeb” and it is awesome and had everyone at the party singing along. One of my finest hours.
Celia Inside (@celiainside) is an artist I met on Twitter. HELL YEAH TWITTER. We bonded over music, tv and HORRIBLE fucking dating stories. It’s cool to be out on the web and randomly stumble across people you vibe with. Sometimes the internet is great. Anyways, CI just released an EP called Remodel that is full of relationship deconstruction, electric guitar and really, very pretty vocals. (Download the EP for free here)
Check out what this very fresh artiste de Boston has to say (on the very first 7 Questions!) about breakups, the very solo recording process and loving Solange.
1. What was your main inspiration to record the Remodel EP? A break-up, a boring winter, an angel speaking to you in dreams?
There was definitely some post-breakup inspiration, but it was mixed with other stuff. I was going through a kind of perfect storm of huge life changes that happen in those first couple years after college. My friends were moving away and getting super busy with work, and I was busy too, but less well-adjusted about it, I think. So I pressed pause on everything, disappeared for a while, and turned my feelings about those challenging and confusing times into angsty songs! And then the title came about later — it was (and still is) the perfect one-word sentence/truth/tough love advice I need to hear. Remodel. Change, evolve; find a way to live your life that won’t make you miserable!
2)Which song is your baby, the one you love the most or that you feel the strongest connection with and why?
“Leaving Girls” is pretty near & dear to me, partly because it was the first song to really take shape both instrumentally and lyrically. There are a couple lines there that have really resonate with people, me included, and I like how the title/words leave lots of room for interpretation. I originally wrote it as a kind of friendship breakup song but it can really apply to anyone who is… leaving, I guess. Haha. I also like how dark and unpredictable it can be… along with the many layers going on between the harmonies and the spastic guitars and the synth. That’s my St. Vincent-wanna-be song.
3)The recording process: You recorded everything yourself (KUDOS bc that shit is HARD). Describe the last week of recording/mixing/mastering. Was there a lot of caffeine/alcohol/pot/sex/cuddles with puppies?Haha — thanks, girl! Yeah, it wasn’t so fun at times. I couldn’t sleep because I was really stressed out, so I would just drink black tea and stay up super late tweaking this and that. I became super nocturnal — more-so than usual, haha. And yes, I definitely cuddled with my puppy on the reg! She’s so affectionate; bless her heart! She should get a producer credit.
4)Where do you see your music going in the future? Are there any new genres you’re exploring now that may influence your next record?Ah, there is so much I want to do! On one hand, I’m into R&B in a big way. I grew up listening to so much hip-hop and R&B — it’s a part of me — and I definitely want to experiment more with making beats. I’d love to make an R&B mixtape and rap some on it. I used to rap a bit and I miss it a lot! Especially when I hear some inspired hip-hop. I also feel like a lot of people are loving “Stranger,” which is kind of my Mariah Carey/R&B experiment on Remodel. So yeah, definitely more of that hotness. ;)
On a totally different note, I’d like to rock a little harder; I want to see what I can come up with working with a more traditional set-up: guitar, bass, drums, and that’s it. I’m so amazed at what some bands can do with only three or even two people live. Hop Along and Wye Oak come to mind. When you see them play, you’re definitely going to rock out, but there’s so much genre-bending and style-blending going on with their music too. Those are both bands that make me cry while I bang my head!I’ve always been musically pulled in so many different directions. It makes perfect sense to me to make different albums in totally different styles (ala PJ Harvey or The Cardigans, who are both huge inspirations of mine).
5)You’re gearing up for some live shows in the Boston area (right?). How do you feel about performing these songs live? What is your live set up?
That’s the goal — to play live in Boston/New York/wherever I am in the near future. And I feel… conflicted. Because these songs obviously require some drums and synth and PEOPLE that I don’t currently have, yet I want to perform solo & acoustically, at least for a little while. Celia Inside is a veryyy new car and I need to put some miles on it before I, like, plan a cross-country road trip, you know? I’m still very new to performing. I actually just played an original song for the first time tonight at an open mic night! So I have some work to do on this front. But ask me again in a year! :)
6)If you could collaborate with anyone, dead or alive, who would it be and why?Hmmm. So I thought about this for a while and came up with the BEST answer: Solange. When you talk about artists, truly original people doing new and incredible things creatively like only they can, Solange is at the top of that list. I’m so in awe of the True EP, partly because her last release (SoL-Angel and the Hadley Street Dreams) was SO good and fresh and then she somehow managed to top that by like 100%. I love the choices she makes — vocally, lyrically, image and PR-wise, everything — and I just… feel her spirit (lol). Completely. She’s totally brilliant and down to earth and cool. So yes, in my dreams, I would collaborate with Solange and we’d become besties and Beyonce would get dinner with us occasionally and stuff.
7)What’s the most embarrassing artist/song you absolutely LOVE?Haha. First, I want to note that I’m not easily embarrassed when it comes to this stuff! Like, I regularly go to bat for artists I adore that people are too cool for like Paramore and Danity Kane and whoever. With that said… Ashlee Simpson! When I listen now, her vocals can be ROUGH. Like, oh man. But I think there are some GREAT songs on those first two albums she did. “Unreachable” pops into my head to this day. That whole first album is money and then, on the second one, I LOVE “In Another Life,” “Dancing Alone,” “Say Goodbye”…. Omg, I forgot how solid they were! I think her team had a really cool sound going on. Ugh, I love it.
This is the most bumpin’ tune I’ve heard come out of Minneapolis in a while! Can this be a summer jam on the radio stations? LOVE IT. Lizzo, Sophia Eris and Manchita, who are all local musico phenoms who constantly work on a BUNCH of different projects, comprise this new group amazingly titled GRRRL PRTY (vowels are SO last season). Their debut release is a single titled “Wegula”. I’m taking a stab in the dark and guessing ‘wegula” is a lil wordplay on people in bars/parking lots/literally anywhere trying to act superior or simply being a rude dude by claiming a “regular” status. If not, then they’ve added a word to the English language and we should be awaiting Webster Dictionary official status any day now.
Their video above is part of a series called “Lights and a Backdrop” (check out season 1 and season 2) ingeniously crafted by a production company called Evil Ice Cream Pictures. It’s a really cool series that has local musicians perform their tracks in front of-WHAT!- lights and a backdrop. It’s simple and a great way to showcase and spread the word about local talent. Cuz there’s a shit ton of local talent in MPLS/STP. Seriously. Everyone is in a band. It’s amazing.
In case you didn’t know, girl groups are fuckin IN in the MPLS scene. Lizzo and Sophia are also in an R&B girl trio called The Chalice with Claire de Lune. They’ve had a bunch of buzz and success this year. More power to the ladies. It’s refreshing! Plus girl groups were due for a pop culture resurgence anyways. There’s just something about a bunch of women tellin’ it like it is that gets everyone excited. Strong talent, strong opinions, strong style. FUCK. YEAH.
The Morality Crisis album release show (with Enabler, Nerves, Hardcore Crayons and SVOBODA) for their latest release “Boats” at the Triple Rock last night was AWESOME. Drum sticks were movin’ like that pencil trick from 4th grade and the energy was VIBRANT AS A MUTHAFUCK. Not only is Morality Crisis one of the KOOLEST bands in Minneapolis, but they have some fuckin’ STYLIN fans. Everyone looked rad as fuck. I can’t remember half the names because we got TURNT UP, most of the shoes are cut out bc I don’t know what I’m doing and the pics are blurry, late night iphone snaps. BUT FUCK IT, CUZ Y’ALL ARE HOT. Here are some of my fave looks from the nite.
“Troublemaker” by Olly Murs and Flo Rida
Good GOD. I love summer songs. They are full of life and love and sex (maybe, probably, HOPEFULLY). The first time I heard Olly Murs’ song “Troublemaker” I instantly loved it. It’s a refreshing move away from the synth-crazed hits of the radio over the winter. Plus there is not even one note in any of the melodies that is questionable. It just winds around the simple yet full instrumentation so sweetly. Plus PLUS Flo Rida adds a little FLORIDA FLAIR (oh god) making it a perfect A+ summer hit. Extra points for have a strong-willed female in the vid.
“Blurred Lines” by Robin Thicke ft. Pharrell and T.I.
This song is pure sex. Robin Thicke is hot as FUCK, Pharrell is awesome and I guess T.I. is okay. Along the same lines as “Troublemaker”, the instrumentation is simple yet compelling and PHRESH because it’s not the same electro stuff we’ve heard for the past billion years on the radio (don’t get me wrong I love electropop but JESUS, instrument diversity is cool too RADIO). This song is just so fun. You can’t help but move around to it, and maybe kiss ur honey in the process.
BUT, the more I listen to the lyrics, the more I started to like the song less:
ok he was close
tried to domesticate you
but you’re an animal
Baby it’s in your nature
just let me liberate you
Knee-jerk reaction: bitch PLEASE.
One terrible part of loving pop music is the antiquated and rather dull views on gender roles and sexuality. A woman who was unhappy with a controlling man should let you liberate her because she can’t do it herself? COOL STORY BRO. NO, REALLY. I’m so glad another mainstream pop/r&b artist has written a song alluding to the fact that women can’t think for themselves. Real neat. SO 2013.
The uncensored video is kinda really fuckin lame too. I mean, it’s pretty and well shot, but super objectifying and YAWN. It’s full of topless and naked models with fully clothed men. Hey, here’s an idea dudes: why don’t you stop being so insecure about your stomachs/biceps/dicks/manhood and flop them around for a change? IDGAF if it isn’t as pretty as women being naked. EQUALITY MOTHAFUCKAS.
I know it’s a pop song and it IS a fun and catchy tune. But sometimes it’s still hard as a human, who respects not only herself but everyone regardless of gender, to hear lyrics that once again play into gendered stereotypes of sexuality, i.e. men are strong and women are weak. PUKE. All it tells me is that Robin Thicke and co. are living in a fantasy world where they think women need men to save them from other dudes cuz we can’t make a decision for ourselves. EW. YUCK. We’re all just human beings, man. Cut this gender shit out. It’s SUCH a bore and pretty intellectually embarrassing.
A- SUMMER HIT because the music is awesome but the lyrics are so 1873.
This is Gramma’s Boyfriend (best band name ever, right?!) The lead singer is Haley Bonar, who in my opinion is the coolest fucking chick in the Twin Cities area, possibly the nation. I’ve never seen her live solo or with Gramma’s Boyfriend because I’ve been hustlin, busy or broke. But I have seen a lot of her videos online and talked about her drunk with girlfriends. Consensus: this bitch can ROCK. “I Have This Feeling” sounds like a song right out of Clueless during the scene where Cher is throwin shade at all the gross high school boys. The music video for the song is also super fun. A+.
Her vocal style is amazing, her dancing is the shit and the music is fucking awesome. But not only is she kicking ass in her side-project punk/new wave jam Gramma’s Boyfriend, she’s released a ton of music solo as Haley Bonar. I haven’t listened as much to her solo music yet as I was first introduced to her in GB, but I’ve seen a few performances online and they are solid af too. There’s a lot of electricity in this woman. I like how she’s weird. It’s so fucking rad. Definitely an inspirational woman in the local music scene. HB + Gramma’s Boyfriend are must sees in Minneapolis. “I NEED TO SEE GRAMMA’S BOYFRIEND LIVE” should be the only thing you’re thinking this summer. Plus maybe “I should get laid by a hot and respectful individual.” New summer goals y’all.
Check out Gramma’s Boyfriend’s live video performance of “We R Ctrl” below. It’s insanely cool.
Also take a listen to her solo tunes here. Totally totally totally worth it. Luv her!!!
Har Mar Superstar is a local Minneapolis craycrayawesome performer who has been around the block a few times. He now lives in Brooklyn AND is touring + promoting his new album “Bye Bye 17″ like a madman. I just started getting into him from seeing him at my internship’s launch party at the end of March. He showed up after 3 AM at the Sound Gallery and played an impromptu set with who I’m assuming was his band from his show earlier that night. Or they were his really talented friends. Anyways, I LOVE his new single. It’s soulful, really well produced and a refreshing new retro sound to hear on the radio. The video just dropped and it’s got a lil soulful style to it as well. CHECK HIM OUT FO REAL.